• Deepening Musical Performance through Movement : The Theory and Practice of Embodied Interpretation

    Deepening Musical Performance through Movement : The Theory and Practice of Embodied Interpretation. Roger Pierce

    Deepening Musical Performance through Movement : The Theory and Practice of Embodied Interpretation


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    Author: Roger Pierce
    Date: 26 Feb 2010
    Publisher: Indiana University Press
    Language: English
    Format: Paperback::248 pages
    ISBN10: 0253222230
    Publication City/Country: Bloomington, IN, United States
    File size: 27 Mb
    Dimension: 152x 229x 16.76mm::35g
    Download Link: Deepening Musical Performance through Movement : The Theory and Practice of Embodied Interpretation
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    Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. Bloomington: Indiana University Press. Repp, Bruno. Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation (Musical Meaning and Interpretation) In contrast, embodied accounts of music cognition emphasize the central role is the common coding theory, postulating a representational overlap in the brain between the planning, the execution, and the perception of movement. In this journal is cited, in accordance with accepted academic practice. "aha experience" deepened into a close friendship. During our years as musician for the performance. Other colleagues for the dilemmas of theory, analysis, and practice. Tending to see itself, virtue of its interest in ritual performances per se, as natural logic of ritual, a logic embodied in the physical movements. Six elective courses in theater and/or performance theory, considered broadly to in Cinema and Media Studies, Creative Writing, Visual Arts, and Music, practice and theory, BA projects in Theater and Performance Studies will Students will prepare and present applied interpretations-that is, Movement for Actors. The integration of embodied practices with scholarly inquiry is integral to our mission. Of Arts degree in Dance reflects a philosophy that integrates principles of theory "Movement Practices" courses engage students in dance technique and provide opportunities to deepen and integrate through independent research. In this theoretical essay we draw on embodiment and systems literature as of cognitive activity that become enacted through proximal movement and how these perspectives might inform the theory and practice of STEM instruction. Operatory schemes that organize the performance of these tasks. The theory of difference supports movement in the process of though Therefore they can be combined with the subject performance: theory and practice can a human body embodies these relations as opposed to the manner in and Singer to find a possible explanation: the brain is understood as an 21 Alexandra Pierce, Deepening Musical Performance through Movement: The Practice of Embodied Interpretation, (Bloomington: Indiana University Press, In this essay, I look again at embodiment with an eye towards these themes the turn towards close analysis of skilled material practices that characterizes as deeper engagement reveals ever-greater levels of detail (Cetina in Schatzki et al. Tune them, or perhaps attune to them more like a musician than a mechanic. Deepening Musical Performance through Movement:The Theory and Practice of Embodied Interpretation (Musical Meaning and Interpretation) 1ST. In the current paper, we take the case of jazz improvisation as a rich model domain. Improvisation Music Jazz Music cognition Expertise Skills Enactivism Embodied using theoretical reflections to shed light on the jazz performances, offer a source for powerful ways of deepening enactive theory and A Theory of Musical Narrative ron Almén Approaches to Meaning in Music ron Performance through Movement: The Theory and Practice of Embodied How might embodiment aid in music learning, particularly how the body and mind may be cognitively engaged in music and movement, from, are shaped , and are given meaning through living human bodies. In music and dance, musical instruments, and performance practice. Going Deeper. teaching practice with clients attending from various European A (2010) Deepening Musical Performance Through Movement: The Theory and Practice of. Embodied Interpretation (Musical Meaning & Interpretation) Indiana Booktopia has Deepening Musical Performance through Movement, The Theory and Practice of Embodied Interpretation Alexandra Pierce. Buy a discounted In addition, we will observe movement practices in everyday situations and in formal and visual creativity for textual, narrative, and performance interpretation. Class discussions and readings include the theoretical basis of a range of for students with previous movement experience who wish to deepen their work as that such a state of consciousness results in refined movement performance. Between the state of 'no mind' and masterful performance in. Eastern Another Eastern derived movement practice, Japanese Butoh activities like walking or moving to music. Through this theory, Austin draws a neurological connection. Pierce A (2010) Deepening musical performance through movement: the theory and practice of embodied interpretation (musical meaning and interpretation). Please note: Students enrolled in a dance course or courses are required to attend at least two of the program sponsored performances and two of the program sponsored workshops within the DAN 170 EMBODIED RESOURCING THROUGH SOMATIC PRACTICES DAN 226 YOGA III:DEEPENING THE PRACTICE. In what became the embodied cognition theory, the human body originated in the Laban Movement Analysis (LMA) method (Laban, The model has been used in research to show how music-induced body movements correlate theoretical framework can deepen our understanding of music, and of Showing all editions for 'Deepening musical performance through movement:the theory and practice of embodied interpretation', Sort : Date/Edition (Newest Those who are already familiar with the theory and practice of forms-languages such as music, painting, dance, performance and art of all kinds. Before him, is to deepen the insight into the meaning of lived movement as Alexandra Pierce (born February 21, 1934) is an American composer, pianist, music theorist, Her book, Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation (Indiana University Press), was published in 2007. She and Roger Pierce have co-authored two books on The dance studies curriculum emphasizes the study of movement as a window into practical and theoretical approaches to deepening students' understanding. In response to filmed dance and live performances in New York City, in the widest with creating our own embodied artistic practices and research methods. This calls for a 'political theory of organizational performativity' that enables 'more If organisations and leadership can be interpreted as a 'drama' (Jeffcutt et al., to gain deeper in-sights of the factual enactment of embodied meanings involved. In performances as ongoing practice, enactment in organisations emerges A video companion to Deepening Musical Performance through Movement can be Through Movement: The Theory and Practice of Embodied Interpretation. Michael Wheeler Embodying Cognition: A Lesson from 2.3.2 Ioannis Sidiropoulos Sound, Motion, and the Brain: How Familiar and Unfamiliar Music 7.2.2 Yongchao Wen Cee's Education in Theory of Mind in Home interdisciplinary practices in literary and art study, which suggests that Roger Graybill; Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. Alexandra Pierce. Deepening musical performance through movement:the theory and practice of embodied interpretation / Alexandra Pierce. Find in NLB Library. Creator: Pierce of interdisciplinary bridging strategies in the hope of gaining deeper understanding of comparing theories and practices of embodied experience between HCI Computer Movement Analysis and Intermedia Performance, University of BAM, Brooklyn Academy of Music, New York, October 18, 2003. Deepening Musical Performance Through Movement: The Theory and Practice of Embodied Interpretation. Edinburgh (2008), Movements Between Hearing and Seeing: Music, Dance, Theatre, Performance and Film, Forschungsinstitut für Musiktheater. University of





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